Tuesday, April 6, 2010

Intel's new Xeon 5600 series processors

Intel announced new server and workstation processors last month: up to 40% faster than the current 5500 series, more cores, more features, at about the same prices. Their published benchmarks show a performance improvement ranging from 21 to 48%. The processors use the same technologies Intel introduced with the 5500 series:
  • The Hyper-Threading Technology doubles the number of execution threads to increase performance for workloads optimized for multiple threads, such as simulation-based design, ray tracing, rendering, etc.
  • The Turbo Boost Technology "overclocks" the core frequencies under heavy load, to increase performance.
  • The Smart Cache dynamically allocates cache resources based on the demands of each core so data is managed more efficiently to optimize execution across all cores.

The new processors will work with the same chipsets, motherboards and memory as the 5500 series making the upgrade seamless.

HP announced servers (link, PDF) with the new 5600 series processors, but not workstations yet.

Thursday, March 18, 2010

Matrox Axio 4.2.1 to be released March 19th


Release 4.2.1 for Matrox Axio will be available for download on March 19. The Release will provide the following new features:
  • Support for creating 1080p @ 29.97 fps sequences.
  • Support for XDCAM EX split clips and XDCAM EX metadata.
  • Overall stability improvements.
Additional resources:

Tuesday, November 17, 2009

Color Accurate Monitors for Digital Artists

Problem: you are James Cameron working on an HD trailer of Avatar; you need to be 200% confident in the picture and color quality before posting it online: it's got to be just spectacular to uphold the Titanic reputation of Mr. Cameron. What monitor(s) do you need to use to be absolutely sure the picture is color accurate?

If you find out - let me know. Given the $230m budget of Avatar, it's probably the very best of the top-shelf equipment, with some stuff custom-developed specifically for the movie, along with special equipment to verify that the picture quality is adequate. $20K for a set would not be outlandish.

For the rest of us - photographers, videographers, digital artists on a budget: what display monitors would do a good job ensuring that we don't miss a bad spot, a discoloration or an artifact? Photographers and Red camera users working with raw 10-, 12- and 14-bit images rather than 8-bit JPEGs and MPEGs, the issue is rather huge: the banding artifacts we are seeing on a computer monitor - are they just on the monitor, or in the actual file? How can I be sure before sending them to the publisher? The only way to get a better idea is to get a monitor that is capable of bit depth higher than 8. Enter IPS panels and 30-bit (3x 10-bit) displays such as HP DreamColor LP2480zx and Dell U2410.

Being a complete noob with respect to critical color applications and color calibration, I set out to do what I do best: go through specifications and manuals, google around and try to figure out the differences between two popular displays that both claim fantastic color accuracy. Do not expect a lot of depth from this article (but do expect a little): it's merely an attempt to figure out the basics based on a 45-minute research. It did turn out to be a 6-hour research - but nobody's perfect.

We'll skip highly specialized - and expensive - color-accurate displays from Eizo and Lacie, and focus on two top models from HP and Dell. Both are 24-inch IPS (In-Plane Switching) LCD monitors with 1920x1200 maximum resolution and a host of usual inputs such as DisplayPort, DVI, HDMI, component and composite video. One is listed at almost $3K (street prices around $2,000), the other one - $600. Which one should I get?

Dell UltraSharp U2410 24-inch Monitor, $599 SRP
- 1920x1200 resolution
- IPS panel type
- Contrast ratio: 1000:1 (typ), 80,000:1 (Max, Dynamic Contrast on)
- 400 cd/m2 typical brightness
- 6ms Typical Response Time (gray to gray)
- 178/178º Max Viewing Angle (vertical/horizontal)
- 1.07 billion colors
- 110% (CIE 1976) Color Gamut
- 12-bit Internal Processing
- AdobeRGB - 96% Coverage
- sRGB emulates 72% of NTSC Color (100% Coverage)
- xvYCC Compatibility
- DVI-D, DisplayPort(DP), HDMI, VGA, Component, Composite inputs included

Pros: value. IPS-type monitors display a much wider color range than the prevalent TN-type ones, yet have lower brightness and contrast, and cost more. At $599 SRP, Dell U2410 is a great value with decent brightness and contrast on a par with the best monitors from other manufacturers.

Cons:
  • Unlike HP LP2480zx, U2410 is not a 30-bit (10 bits per color component) monitor, according to UK reviewer TFT Central. Sadly, Dell misleads in its specifications by saying that the display is capable of over a billion colors. Dell conveniently forgets to mention that these colors are not all available at the same time. Only 16.7 million colors can displayed at any given time, a feature of most 24-bit displays (8 bits per color component).
  • Dell calibrates this monitor at the factory but does not offer any other means to color-calibrate it. Certainly, there are 3rd party color-calibration tools you can use for this monitor, but unlike HP, Dell not only does not offer any of them, it does not mention even a possibility of it.
  • Dell also engages in the usual and often misleading specifications game listing only the most advantageous items: the dynamic contract ratio of 80K:1 is utterly useless while a typical one of 1,000:1 can only be found in the manual.
  • Same goes for 6ms response time that only applies to gray-to-gray transition while the more realistic full black-to-white-to-black number is not listed at all. HP lists all these numbers up front as if saying, we've got nothing to hide.

Verdict: Dell U2410 is a great quality IPS monitor with 24-bit color. It is not however a professional tool for color-critical applications, and is comparable to HP LP2475w rather than DreamColor LP2480zx.


HP DreamColor LP2480zx Professional Display, $2,899 SRP
(in green are the specifications where HP either trumps Dell, or that Dell does not list)
- 1920x1200 resolution
- IPS panel type
- 1,000:1 Typical Contrast Ratio
- 250 cd/m2 typical brightness (maximum white luminance)
- 6ms Typical Response Time (gray to gray), 12 ms (rise+fall, full black-to-white-to-black)
- 178/178º Viewing Angle (vertical/horizontal)
- Over 1 billion colors in native mode
- Backlight Life (to half brightness): 50K hours
- Backlight Type: RGB LEDs
- Gamma/Tone Response: Programmable from "gamma" value of 1.0 to 3.0.
- Color Gamut: Native gamut approx. 133% NTSC (in CIE 1976 u'v' space)
- Adobe RGB Coverage: 100%
- sRGB Coverage: 100%
- Lookup Table: 12 bits per entry, 1024 entries per table
- Internal Processing: Min. 10 bits/color throughout video processing pipeline.
- Color Space Presets: 7 color space presets; 1 user-programmable plus six factory programmed: sRGB, Rec. 709, Rec. 601, Adobe® RGB, DCI-P3 emulation (97%), full gamut

Pros:
  • HP LP2480zx specs show better color gamut (133% vs. 110% NTSC) and Adobe RGB coverage (100% vs. 96%), as well more presets and full programmability of its LUTs (Look-Up Tables) - essential for professional color applications. I'd venture that the better gamut and coverage do matter for very critical color grading applications.
  • HP offers HP DreamColor Advanced Profiling Solution for $349 on its web site, to calibrate the monitor, validate and trend its performance. No such thing at dell.com.
  • HP published a "mini white paper" about LP2480zx, "Understanding the HP DreamColor LP2480zx Professional Display’s 30-bit panel" where it explains what a 30-bit color is, and why it is better than 24- or even 18-bit color of mainstream monitor. Dell's mentions 1 billion colors on U2410, which is directly related to a 30-bit color (30 bits represent a number of a little over a billion), however UK's TFT Central in its U2410 review says that the screen "utilises an 8-bit H-IPS panel, capable of producing 16.7 million colours".
  • HP describes the 30-bit workflow and how to ensure that your computer configuration is fully 30-bit, from your application through the graphics card and its driver, to the cable (gotta use DisplayPort 1.1 or HDMI 1.3 for 30-bit - standard DVI is limited to 24-bit), to the monitor.
  • According to HP, they developed the LP2480zx in "close collaboration with DreamWorks Animation", for their color-critical applications. See PDF brochure on HP website.
  • HP "DreamColor and HP DreamColor LP2480zx Professional Display - Frequently Asked Questions" talks about various color spaces and the monitor's compatibility with them, the importance of low black levels, dimmability and tone response and its ability to synchronize to standard video frame rates.
Cons: lower brightness of 250 vs. 400 cd/m2; price.

Verdict: if you are James Cameron checking out biolumenance scenes of the Avatar HD trailer, you certainly need HP DreamColor LP2480zx, at the very least. In other words, if you utilize professional color grading applications requiring 100% color accuracy, this monitor fits the bill.

Tuesday, November 10, 2009

Windows 7's XP mode

Let's get something out of the way: Windows 7's XP mode will not help running add-on PCI, PCIe or PCI-X cards that don't have Windows 7 drivers. Examples: Matrox DigiSuite (LE, DTV, etc.), RT.X100, Pinnacle Targa 3000, etc. If you have a working system with one of these cards, do not upgrade to Windows 7.

Put it simply: any hardware that doesn't have drivers for Vista or 7, still will not run in "XP Mode" on Windows 7. The "XP Mode" is a virtual machine, a whole "virtual computer" that tricks Windows XP into thinking it runs on physical hardware. It can only access devices that have Windows 7 drivers. So the "XP Mode" is primarily for software that doesn't like running on Windows Vista or 7, and insists on running on Windows XP.

That's not to say XP Mode isn't cool: it is. It's been there in various incarnations for quite some time, and on Windows 7, it adds a few perks that make it even better:
  • Access to USB devices, such as flash drives.
  • Direct access to Windows 7 hard drives.
  • Access "XP Mode" applications directly from Windows 7 desktop.
If you have applications that require Windows XP, such as Intuit QuickBooks 2003, Windows 7' XP Mode is for you.

See TechRepublic's video on the subject:

Wednesday, October 28, 2009

DV411 Ships a Media Composer 4.0 System to US Navy

DV411 shipped an Avid-qualified Media Composer 4.0 system to US Navy last week. The workstation is based on an HP Z800 model that since its introduction earlier this year won accolades for its tool-less and compartmentalized design with efficient air-flow, expandability unmatched by any other Tier 1 system manufacturer, and performance. The system shipped with dual Intel® Xeon® X5570 2.93GHz Quad-Core Processors, 12GB RAM, NVIDIA Quadro FX4800 1.5GB PCIe graphics adapter and a 4.5TB internal storage array configured for transfer rates of over 300MB/s.

The system was configured to strict guidelines published by Avid, to ensure its smooth performance with Media Composer 4.0 editing application.

Friday, September 11, 2009

Avid Media Composer version 4.0 announced

Along with the new version (4.0) of Media Composer™ software, Avid yesterday announced new versions of their Symphony™ (4.0), and NewsCutter® (8.0) professional editing software solutions.

What's new?
  • Mix and match SD and HD formats, frame rates, and resolutions all within the same timeline
  • Allow Pro Tools editors to sync with Mac-based Media Composer systems through Video Satellite
  • Encode and deliver final masters in Panasonic AVC-Intra format, and let projects remain in their native format from acquisition to final delivery
  • Instantly access and edit GFCAM 50- and 100 Mb-formatted media through AMA
  • Be more creative and productive with new updates to the included Production Suite: new versions of Boris Continuum Complete, Sorenson Squeeze and SmartSound SonicFire Pro.
Also:
  • Improved Stereoscopic 3D editing: Enables customers to view 3D material side by side in addition to over/under - ensuring greater accuracy of editing decisions and a wider choice of cost-effective monitors for stereoscopic viewing.
  • Monitoring HD and SD cross-and-down converted formats from 1080p24 masters: Enables customers using Mojo DX or Nitris® DX hardware to view HD material on an SD monitor, eliminating the need to incur additional hardware costs.
Pricing remains at US $2,495 box, $2,295 download, $295 students. Upgrades: TBD, but probably the same: $295-$495.

Availability: September 30, 2009.

Note: Avid Media Composer v3.5, Avid Symphony v3.5 and Avid NewsCutter v7.5 will no longer be available for purchase starting on September 10, 2009. All orders accepted after this date will ship Avid Media Composer v4.0, Avid Symphony v4.0 and Avid NewsCutter v8.0.

Customers who purchased current software after September 1, 2009, are entitled to a free upgrade to the new version. Contact avid.com/protect for more info.

DV411 ProEdit systems currently qualified for Avid solutions, are expected to remain qualified with the new versions. Please visit our Avid-qualified systems page for more info.

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